Please find the links below to our YR12 vimeo pages:
Jacqueline B
Kingsley C
James C
Sebastian C
John C
Zhane E
Darran H
David O
Louie P
Acshayan S
Marc Y
Showing posts with label Key Concepts. Show all posts
Showing posts with label Key Concepts. Show all posts
Monday, 29 September 2014
Tuesday, 23 September 2014
Frozen - recut as a horror trailer
WHAT MAKES THIS A HORROR TRAILER?
Mary Poppins - recut to a horror trailer
WHAT CHANGES THIS FILM FROM FAMILY ENTERTAINMENT TO HORROR?
Tuesday, 16 September 2014
Example identification of cinematrography
Test yourself - without annotations:
With annotations:
Sunday, 18 May 2014
Key concepts & a revision activity
We have addressed these issues in class in relation to your case studies and the film industry. These are the seven concepts the board expects you to know.
- the issues raised by media ownership in contemporary media practice;
- the importance of cross media convergence and synergy in production, distribution and marketing;
- the technologies that have been introduced in recent years at the levels of production, distribution, marketing and exchange;
- the significance of proliferation in hardware and content for institutions and audiences;
- the importance of technological convergence for institutions and audiences;
- the issues raised in the targeting of national and local audiences (specifically, British) by international or global institutions;
- the ways in which your own experiences of media consumption illustrate wider patterns and trends of audience behaviour.
Monday, 17 February 2014
Editing terminology
If you are unsure about editing techniques - this link is quite detailed but has some good examples and definitions. It is quite technical but worth exploring:- http://classes.yale.edu/film-analysis/htmfiles/editing.htm
In addition, this has lots of contemporary clips and gives useful definitions with good exemplars. It doesn't go on to explain the impact of the editing shots in terms of representation but it certainly gives you some good clarification. To master this, you will want to take an hour to fully explore and understand this page:- http://collegefilmandmediastudies.com/editing/
There is an 11 minute film on this link that discusses the effects of using contrast, parallelism, symbolism, simultaneity and leit motif (repetition) in editing. It is focused on the effects rather than the cuts per se but it also has useful clips http://www.indiewire.com/article/watch-vsevolod-pudovkins-5-editing-techniques
In addition, this has lots of contemporary clips and gives useful definitions with good exemplars. It doesn't go on to explain the impact of the editing shots in terms of representation but it certainly gives you some good clarification. To master this, you will want to take an hour to fully explore and understand this page:- http://collegefilmandmediastudies.com/editing/
There is an 11 minute film on this link that discusses the effects of using contrast, parallelism, symbolism, simultaneity and leit motif (repetition) in editing. It is focused on the effects rather than the cuts per se but it also has useful clips http://www.indiewire.com/article/watch-vsevolod-pudovkins-5-editing-techniques
Labels:
AS Media Studies TV Drama,
Key Concepts
Location:
London, UK
Tuesday, 11 February 2014
Different stereotypes in the media
Another useful blog that has information on different stereotypes in the media according to sexuality, ethnicity, age, gender and more. This site has some media theorists which you don't need to refer to but it does help to read up on the subject. Revision world link to representation
Wednesday, 5 February 2014
Useful audience theory
This website walks you through the development of Audience theory from 1920s. Our understanding of how audiences consume media has evolved from passive, unthinking receivers to active consumers who are capable of reading media texts in diverse ways for multiple reasons. Click here
Sunday, 26 January 2014
Wednesday, 23 October 2013
Target Audience
Audiences can be identified in many ways e.g. through
demographic research by Govt. Departments – the Population Census
Media institutions e.g. Web Designers, the Advertising and Magazine Industry use this information when targeting/segmenting audiences
Media institutions e.g. Web Designers, the Advertising and Magazine Industry use this information when targeting/segmenting audiences
- Some Media organisations still use old fashioned socio-economic categorisation
to estimate ‘notional spending power’
A – Land Owners, Royal Family
B – Doctors, Lawyers
C1 – Teachers, Nurses, Supervisors
C2 – Skilled manual
D – Semi-skilled/unskilled manual
E – Unemployed/Prisoners/Pensioners/Students
Vogue Magazine would have - ABC1 target audience (middle class/upmarket)
Capital Radio would have a C2, D and E target audience (working class)
- An alternative categorisation = Psycho-Graphic
research (Young and Rubican Advertising Agency, 1974) based on
personality type.
Succeeders – think of themselves as powerful/in control
(e.g.Mercedes Adverts)
Aspirers – want a better life (e.g. Loan/Car/Perfume adverts, Sex
and The City...)
Carers – have a social conscience (e.g.Charity Adverts)
Mainstreamers – prefer to be like other people
(e.g. The Sun, Capital Radio...)
Individualists – prefer to be different (e.g.
Miami Ink, Specialist Magazines)
No audiences are formed entirely on the basis of the
above two ways – shifting trends/social changes/historical
developments/technological progress affects audience identification.
- Demographics is a much more sophisticated way of targeting
audiences developing detailed criteria e.g.
Age
|
Geographical Location
|
Media Accessed
|
Gender
|
Lifestyle
|
Attitude
|
Sexuality
|
Religious Beliefs
|
Financial Status
|
National Identity
|
Marital Status
|
Body Shape
|
Social Class
|
Education
|
|
Race and
Ethnicity
|
Family Background
|
|
Occupation
|
Hobbies and
Interests
|
|
Income
|
Ability/Disability
|
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